Five Tips for Writing Rural Surveillances

When many people think of a private investigator, they think surveillance. Typical images that come to mind are the PI in his vehicle following a subject’s car through traffic or a PI parked somewhere, watching the subject’s residence or work. If a writer is crafting a city surveillance, she’ll take into consideration such things as the flow of traffic, how closely the PI follows the subject’s vehicle, and possible side streets the PI might take.

But what if your story is set in the country? Or your big-city investigator must travel to a rural area to conduct a surveillance? Here are five tips for crafting a rural surveillance scene:

Tip #1: Know the area: In our part of the country, we have some impressive, wide-open stretches of country outside of “the big cities.” Whenever we were going into a rural area, we would first check online maps (for example, MapQuest and Google Earth). Have your fictional PI do the same. We’ve scheduled rural surveillances in areas that are so remote, they don’t even show up in online maps. In such cases, we have contacted the sheriff’s office for that region and requested help with directions and maps.

Also, it's smart for the PI to give local law enforcement a heads up about the surveillance so the sheriff/LEO (law enforcement officer) can watch out for the investigator's safety. What if a PI had vehicle trouble and was stuck in the middle of nowhere...and not a soul knows his/her whereabout. Not saying the PI needs to spill everything about the surveillance to the sheriff/LEO, or even who the PI is surveilling, just the area the PI plans to be in/near.

I once conducted a surveillance in the middle of a national forest. I know, how crazy is that? But my client paid me well to check if his wife was camping out with her paramour. Before I commenced the surveillance, I dropped by the sheriff's office and discussed the area I was surveilling and my planned route. The sheriff clued me in on some areas to avoid, and informed me that my cell phone transmission would be iffy to non-existent at times. We agreed I'd check in periodically when I had cell-phone connectivity, as well as check in with his office at the end of the day on my way out of the national forest. 

On the other hand, if you’re looking to crank up the tension in your story, have your PI get stuck in desolate region with no Internet accessibility!

Tip #2: Use an appropriate vehicle. Maybe your fictional PI scoots around the city in a lime-green VW, but that dog won’t hunt in the country. In a small town, everybody knows everybody else, including what vehicle they drive. A PI will drive a vehicle that blends in, is nondescript and can handle the terrain. Also, avoid using vehicles with identifiers such as decals, vanity plates and bumper stickers.

Or maybe you want to write a humorous scene where the town folk all know the shiny van with the “Don't make me go medieval on you” bumper sticker is that city-slicker PI who’s working undercover.

Tip #3: Why is the PI parked there? A PI can be parked on a country public road and document whatever he sees “in plain view” -- but he’d better have a good reason for being there if someone asks. Most PIs keeps props ready, such as binoculars and a bird guide (so she/he can't pretend they're a bird watcher), car-repair tools (pretending he/she's fixing their car) and so on. An acquaintance of mine, whose husband is an FBI special agent, said the bird-watching story is cliche and most country folks would find the story laughable.

Maybe your private eye uses the bird watcher cover story and blows his cover, which could be an entertaining scene. Or perhaps your sleuth is an accomplished bird watcher and can pull off that pretext without a problem.

Tip #4: Look the part: Just as a PI wears clothes appropriate to a city location, he/she will wear clothes that blend in to that part of the country and season. Whenever we did a winter rural surveillance in Colorado, we wore jeans, t-shirts, boots and jackets.

Tip #5: Choose useful equipment: As I mentioned in Tip #1, your PI might encounter a situation where he/she has no WiFi service or satellite signals. That could create a dicey situation for your character. However, maybe he/she has an add-on communication device to a smartphone that uses long-range radio waves to connect by text with others. One such device is goTenna.

Other equipment for rural surveillances includes cameras with increased optical zoom, and video equipment that is functional, portable and low profile. These might be apps on your sleuth's smartphone, fyi.


Who Would I Most Dislike to Be On a Spaceship With?

Ali Kahn, the editor of the Australian online magazine Festivale, interviewed me for its "Usual Questions" series, a column that started in 1999 when Kahn kicked off these Q&As at a conference with authors such as Lawrence Block, Janet Evanovich and others.

One fun question is who would the writer most dislike to be on a spaceship with? Oh, I definitely had an answer for that.

Below is an excerpt from the interview...

Shaun Kaufman and Colleen Collins

Colleen Collins Answers the Usual Questions

Colleen Collins and Shaun Kaufman co-write the blog Guns, Gams, and Gumshoes, which has been recognized by Ellery Queen magazine as being one of the top three true-crime blogs. Guns, Gams and Gumshoes has also twice been tapped by the American Library Association's Booklist site as being a "Web Crush of the Week" during its annual Mystery Month (2012 and 2014).

Has your interaction with fans, for example, at conventions, affected your work?

More that our interaction with clients for Shaun's law practice, or clients for our former private investigations agency, have affected this book. In A Lawyer's Primer For Writers, we include some case studies with these clients, although we have changed their names.

Is there any particular incident (a letter, a meeting, a comment) that stands out?

Many, actually! In the book, we have a chapter on private investigators, and there's a section where I discuss why I no longer serve legal papers after 1 - a person sic'd a pit bull on my husband and 2 - a woman tried to hit me with a frying pan. Those are a few of the true stories in the book.

Do you have a favourite author or book (or writer or film or series) that has influenced you or that you return to?

A Lawyer's Primer For Writers is, of course, a nonfiction book, so I'll switch hats and mention several fiction writers who have influenced my fiction writing (I've published over two dozen novels since 1997). Some favorite crime fiction authors: Robert Crais, Walter Mosley, Ken Bruen, Ann Holt, George Pelecanos, Michael Wiley. And a shout-out to Australian romance writer Sarah Mayberry.

Who is the person you would most like to be trapped in a lift with? or a spaceship?

My husband. He's funny, smart and not bad on the eyes :)

Who is the person you would most DISlike to be trapped in a lift with? Or a spaceship?

My former agent.

What would you pack for space? (Is there a food, beverage, book, teddy bear, etc that you couldn't do without?)

My iPad that's filled with dozens of ebooks.

What is the most important thing you would like to get/achieve from your work?

A sense of accomplishment. Oh, and money.

To read the full interview, click here.

Win a Bundle of Romantic-Mystery Books!

This week I'm the "Author Spotlight" at Book Bench for Romance Lovers on Facebook. Drop by and comment or "Like" my post to be entered to win all 3 books in my private-eye romance series!

Click This Link: Book Bench for Romance Lovers

A winner will be randomly selected this Saturday, August 30, and can choose whether to receive the print or ebook versions of the following books:

The Next Right Thing 

"Colorful, skillful description and lively, fully fleshed-out characters contribute to this great read." ~RT Book Reviews


"I absolutely had to read THE NEXT RIGHT THING in one sitting...an exciting page turner you don't want to miss!" ~Kay Quintin, Fresh Fiction



Sleepless in Las Vegas


"This book completely took me by surprise.  I went into it thinking oh easy romantic read. What I got was a freaking suspenseful heartfelt passionate thrill!" ~Nichole's Sizzling Page Reviews

 

Hearts in Vegas

"This book is very hard to put down with a fabulous setting and action by the bucket loads!" -Chicks That Read

"I fell in love with the P.I. world in The Next Right Thing & Sleepless in Las Vegas and Hearts in Vegas is the perfect book to end my current obsession!" By the Book Reviews

 

A LAWYER'S PRIMER FOR WRITERS: Types of Lawyers - Criminal Law

A LAWYER'S PRIMER FOR WRITERS: FROM CRIMES TO COURTROOMS - Written by a defense lawyer with 30 years experience in the criminal justice system and a bestselling author/P.I. Not only for writers, the book is also for fans of legal film/books, researchers & those curious about the world of legal eagles.

Put together with the user in mind, this intelligently organized handbook for practicing writers will make you sound like a practicing lawyer.
— Warwick Downing, former DA in Colorado and author of The Widow of Dartmoor, a sequel to Hound of the Baskervilles

 

 

 

 

 

Book Excerpts

Below are several excerpts from A Lawyer's Primer, the first is an overview of criminal defense attorneys from the chapter "Types of Lawyers." Below that are two additional book excerpt links, one on judges (including some real-life "quirky judge" stories; the other is a review (with an eye on what a writer can learn) from the legal film To Kill a Mockingbird - Enjoy!

"Types of Lawyers: Criminal Law"

Under the US Constitution, everyone accused of a crime has the right to a lawyer’s defense. A criminal defense lawyer (also referred to as criminal lawyer and defense lawyer) might work for a law firm or be in private practice.  A defense lawyer might also work for a public defenders’ office (to clarify, public defenders are always criminal defense lawyers). Generally speaking, they will make several attempts to settle a case outside of court, but if they can’t, they will represent their clients at trial. Defense lawyers typically work multiple cases concurrently, each at a different stage in the criminal justice system process. The National Association of Criminal Defense Lawyers provides more information about defense attorneys.

Criminal defense lawyers often specialize in practice areas, such as white-collar crime and DUIs

Criminal defense lawyers often specialize in practice areas, such as white-collar crime and DUIs

Some defense attorneys specialize in particular areas of crimes, such as driving under the influence (DUI), domestic violence, sex assault and white-collar crime. We’ve included nearly two dozen articles in the latter half of this book, many about crimes. If you’re writing a defense lawyer character, check out these articles for story ideas.

Type of lawyer in this field: Lawyers practicing criminal defense are well-versed in constitutional rights, with some lawyers being as passionate about people’s rights as civil rights lawyers. Because a criminal lawyer often spends a lot of time gathering evidence, from police reports to witness testimonies, a defense lawyer often relies on other resources, from paralegals to private investigators, for assistance. According to a psychological evaluation report by OvationXL, who interviewed a hundred top law firms on their analysis of young lawyers’ traits, 59 percent believed criminal defense lawyers to be good communicators.

Defense lawyers are constantly juggling the demands and timetables of the criminal court system, which can be frustrating and tiring. When the authors of this book co-owned a private investigations agency that dealt primarily with criminal defense attorneys, we had defense lawyer-clients whose emotions ran the gamut from funny to exhausted to bitter. 

A criminal defense attorney could be a rich character study for your story.

Additional Excerpts

Click on one of the below links to read the excerpt:

Players in the Courtroom: Judges

Recommended Legal Films: To Kill a Mockingbird

 

Source: http://www.amazon.com/Lawyers-Primer-Write...

What Can Writers Learn From the 1979 film AND JUSTICE FOR ALL?

Book excerpt from A Lawyer's Primer for Writers: From Crimes to Courtrooms by defense lawyer Shaun Kaufman and PI-writer Colleen Collins.

Ten of Our Favorite Legal Films: And Justice for All

And Justice for All (1979): Starring Al Pacino, Jack Warden, John Forsythe and Christine Lahti; directed by Norman Jewison. In the story, Pacino plays jaundiced lawyer Arthur Kirkland, who openly deplores the lack of justice in the law. Pacino received an Oscar nomination for best actor, and the writers, Valerie Curtin and Barry Levinson, received a nomination for best original screenplay.

Shouldn’t one be concerned that our criminal justice system seems more intent and efficient in locking up drug offenders than in prosecuting complex, white-collar, corporate crime?
— Defense lawyer Arthur Kirkland, "And Justice for All"

Kirkland’s grim view of justice increases after he’s forced to represent a judge he despises (played by Forsythe) who has been charged with rape. Their mutual dislike provides an ongoing strong, compelling conflict in the story.

So how did Kirkland get forced to defend a judge he despises? Seems the judge blackmailed Kirkland by threatening to report him for disclosing a client’s confidentiality. This premise is somewhat questionable as it is not entirely clear if Kirkland really committed an ethical violation, but it is also plausible enough to shift the story into a higher gear.

Cast of Quirky Characters

There’s also a cast of quirky characters in And Justice for All, including a nutso judge, played brilliantly by Jack Warden, who acts out his suicidal impulses by eating his lunch on a high-up window ledge and testing how far he can fly his helicopter on a near-empty tank of gas. Too eccentric? Possibly. However, if the agency overseeing judicial conduct for that jurisdiction were informed about a ledge-eating, empty-tank flying judge, and it validated that this was true, his days sitting on the bench would come to an abrupt end.

A judge once stopped proceedings because he saw werewolves prowling the courtroom

A judge once stopped proceedings because he saw werewolves prowling the courtroom

On the other hand, as long as this whacky judge isn’t reported, his eccentricities could continue for a while. Trust us on this one. Shaun, a criminal lawyer for several decades, once had a judge who stopped proceedings because he saw werewolves prowling the courtroom.

And then there was the time in a high-profile, tension-filled trial, where the judge kept checking out a Playboy magazine that no one saw except the defense (Shaun) and prosecutor whenever they approached the bench to discuss a legal point.

Law vs. Justice

And Justice for All is an incisive examination of corruption and ethics within the justice system. It is also a story about the disparity between following the word of the law versus justice being served. Maybe one of these issues sparks an idea for your legal character or story.

At the end of And Justice For All, Kirkland (Pacino) delivers a mild-melding, no-holds-barred opening statement that is a masterful display of honesty and an indictment of the folly of the legal system that every lawyer wants to give, and what no ethics board would ever allow. That alone is a reason to watch this movie.

-End of Excerpt-

Historical Research: Download Maps, Charts and Atlases for Free

In this digital age, we're accustomed to snapping pictures with our smartphones and sending them instantly to others, but not so long ago in the history of the world, people had to draw diagrams, pictures and maps to share information. 

English colonies, 1754 Norman B. Leventhal Map Center at the Boston Public Library

English colonies, 1754 Norman B. Leventhal Map Center at the Boston Public Library

Free Downloads of Historical Drawings and Maps

Boston Public Library offers free downloads of historical maps, drawings, charts and more from its Norman B. Levanthal Map Center for non-commercial purposes under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license. A great resource for researching a story set during one of the eras within the collection, such as the American Revolutionary War.

If you download any of the images, the Boston Public Library asks that you provide one of the following attribution lines:

(From the Leventhal Map Center's collections:)
"Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library"

(From a separate collection (example: Richard H. Brown Revolutionary War Era Maps:)
"Map reproduction from the [NAME OF COLLECTION] collection of the Norman B. Leventhal Map Center at the Boston Public Library"

Sample Maps and Diagrams from the American Revolutionary War

Below are a few of maps and drawings from the American Revolutionary War, including several drawings by Paul Revere, a southwest view depiction of New York city in 1763, and a drawing for the encampment plan for British forces in 1780. 

SW view of New York city, 1763 - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

SW view of New York city, 1763 - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

 

Planned Boston massacre, 1770 (diagram by Paul Revere) - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

Planned Boston massacre, 1770 (diagram by Paul Revere) - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

Drawing of plan for encampment of British forces, 1780 - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

Drawing of plan for encampment of British forces, 1780 - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library


Ships of war, Boston 1768 (drawing by Paul Revere) - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library

Ships of war, Boston 1768 (drawing by Paul Revere) - Map reproduction courtesy of the Norman B. Leventhal Map Center at the Boston Public Library


Source: http://maps.bpl.org/view_collection

Book Excerpt: THE UNGRATEFUL DEAD - A romantic-mystery at a coroners' conference

I loved The Zen Man and really had fun catching Rick and Laura’s first case in the prequel, The Ungrateful Dead. These novels have everything I love in a mystery: smart dialogue, a flawed hero, a little romance and a great plot. Murder at a coroner’s conference? What could be more fun!
— Nancy Warren, USA Today Bestselling Author of the Toni Diamond Mysteries

Hello everyone, 

The Ungrateful Dead is a finalist in the 2015 Aspen Gold Reader's Choice Contest! Winners to be announced in early October.

Below is the opening scene from The Ungrateful Dead, a novella that introduces Rick and Laura, a private-eye team who I like to call the "21st-century Nick and Nora" as they attempt to have a romantic weekend at a coroners' conference...that is, until there's a murder. Its sequel, The Zen Man, is a full-length mystery novel that continues the tale of Rick and Laura as they investigate another crime.

Click on the cover to your right to go to its Amazon page.

Excerpt: The Ungrateful Dead

“A Deadhead at a coroner’s conference,” said my date Laura, giving me a look over her martini.  “That’s either too weird or too perfect.” 

We stood in the crowded banquet room at the Independence Lode in Cripple Creek, Colorado.  This hotel and casino was named after a gold mine that was discovered in eighteen-something by a grubstake miner whose find made him the richest man west of the Mississippi.  People still trekked up to Cripple Creek with dreams of striking it rich at the casinos, although mostly they lost money while swilling free booze and trying to get laid.  Not the ambiance I’d have picked for the Colorado Coroners Society’s annual conference, but then ex-junkie, suspended attorneys like me are the last people to pass judgments.  Out loud, anyway.

The lights in the room had been turned down to create a moody atmosphere conducive to mindless chitchat, although it was difficult to imagine anyone in this crowd of coroners, morticians and cadaver groupies doing anything mindlessly.  Especially chitchatting.  Hell, it was difficult to imagine me attending a Dead gig unless the band was playing.  But the CCS, the abbreviated moniker used by the coroner in-crowd, had offered me three nights in a froufrou Victorian B&B, all expenses paid, to speak about what to say, but more important what not to say, in court.  Seemed some rural coroners had gotten loose-lipped and screwed up a DA’s ability to prosecute several key cases this past year, which made me a living-for-the-music Deadhead trying to teach a few courtroom tricks to the dying-is-a-living Deadheads.

“Yeah,” I finally answered.  “It’s too perfect.”

I watched Laura’s lips--their color like dark, sweet cherries--pucker as she took a sip.  Earlier, she’d told me that the lipstick color was called Burgundy Bistro, which had made me wonder if a chef was moonlighting as a copywriter for the make-up company.  But it wouldn’t matter if she slicked on a color called Eggplant Eatery, it was what was underneath those luscious, supple lips that mattered.  Lips I’d gotten to know well these past three months.

She swallowed, lowered her glass.  “Did you ever tell me how that band got the name Grateful Dead?”

Laura’s sincere interest was a far cry from my ex-wife’s, whose hatred of the Dead bordered on the pathological.  After I moved out, she took my original ’67 poster of the Dead at Whisky A-Go-Go in Los Angeles—a collector’s item probably worth several hundred dollars, but priceless to a Deadhead—and stuck it under her Lexus to catch leaking oil.

I like to think of myself as a forgiving kinda guy, but after discovering the plight of that poster I spent an entire week plotting my revenge, which mostly revolved around paying a tattoo-artist buddy to ink a Grateful Dead bear on her sorry ass after one of her too-much-box-wine nights.  But eventually I let it go.  Well, except for referring to her thereafter as Wicked—short for Wicked Wench of the West—but otherwise, I let it go.  Already had enough karma on my plate, plus it would’ve been a waste of good ink. 

I responded to Laura’s question.  “It has something to do with the soul of a dead person being grateful to the charitable person who arranged their burial.  Although more likely, Jerry was stoned outta his gourd and it sounded cool.”  I took a swig of my root beer.  

Laura laughed, making me feel taller and funnier.  

Across the room, a blur of movement snagged my attention.  A woman slouched in the doorway, backlit from the lights in the hallway.  Couldn’t make out her features, but I’d recognize that mop of blond curls anywhere.  The way she dragged her hand through those coils, periodically tugging one as though trying to straighten it, meant she was either pissed-off or nervous.  I’d seen her wear that first emotion a lot.

“Good evening, everyone,” announced a woman’s voice over the speakers.

The chattering and clinking dropped several decibels.

“This is Dr. Susan Kebler.  I invite you to direct your attention to the podium at the front of the room and welcome Mr. Kevin Voight, Executive Director of the Aspen Community Medical Foundation, who will be announcing this year’s recipient of the Forensic DNA Research Grant.”

A smattering of applause.  At the podium there was some fumbling, followed by static thumping noises.

“Is this on?” asked a male voice.

“Turn up the lights,” someone yelled.

Overhead fluorescents popped to life, their stark light leeching the room of its party atmosphere.  At the podium stood a man I presumed was Kevin Voight, pushing forty, dressed in a summer linen suit that set off his seamless tan. 

“He looks familiar,” I murmured to Laura.

“Probably because he looks like Tom Cruise.”

“Really?  Ask me, Tom’s a bit past his sell-by date.”

She flashed me a jealous-are-we? look, which I pretended not to see.  

Truth was, yeah, Kevin had that Tom Cruise thing going for him.  Although after Kevin-Tom started talking, I realized movie-star looks can only take a dude with no personality so far.  Kevin came across like a robot.  Stiff and in dire need of some inflection when he spoke.  On and on he went in that relentless tone, acknowledging anybody and everybody who’d ever set foot on the planet.  Finally, he gave the award to the Colorado Association of Clinical Something-somethings.

Afterward, Laura and I mingled and made small-talk with several coroners I hoped wouldn’t see either of us again for a long, long time.  When she and I were alone I typically did most of the talking, but put us at a social gathering and Laura morphed into an expert schmoozer, a skill I chalked up to her years as an executive at TeleForce, a telecommunications giant based in Denver.  She’d once tried to explain to me exactly what she did, but my brain had liquefied when she started talking about technology infrastructure and scalable architecture.  Laura had the brains of a geek underneath her wild-girl rocker Grace Slick looks, the way Slick looked in her ultra-cool Jefferson Starship days when she had raven hair and wore dramatic eye make-up.  

Although sometimes Laura’s left eye squinted slightly, as though she were scrutinizing something you’d just said.  Minor nerve damage, she’d once explained, the result of a teenage motorcycle accident.

Several root beers and an assortment of canapés later, I heard a buzz in the room.  People were whispering fervently, sharing some piece of news.  And from their closed, tight looks, it was bad news.

An athletic, fiftyish woman with short-cropped gray hair nudged her way past me.  As she paused to sneeze, holding a tissue to her nose, I read her name tag.  Dr. Susan Kebler, Coroner, Teller County.  The county for Cripple Creek, the site of this conference.  Tucking the tissue into her pocket, she crossed the room to a grim-looking cop, who briskly led her away.

I caught snatches of conversations around me.

“…on the premises…”

A snorting laugh.  “Live by the sword, die by the sword.”

“Where’s his wife?”

The cell phone in my shirt pocket vibrated.  I checked the unfamiliar caller ID, figured it might be a new client.

“Levine Investigations,” I answered.

“Natalie.”

She’d always exaggerated her a’s—a Connecticut thing, she’d said—so whenever she said her name it sounded like a traffic jam of vowels butting up against consonants.

I glanced at the doorway where I’d seen her, but she’d split.

“I think I’m in trouble,” Natalie continued.

Through the phone, I heard background noise.  Sirens.  People yelling.

“Can you come to the construction area behind the casino?” she asked.  “Police just arrived.”

Thoughts T-boned in my mind.  Cops?  Natalie was obviously free to make calls, so how much trouble could she be in?  On the other hand, she was the last person who’d want to call me unless she really needed my help. 

 “Be right there.”  I ended the call and glanced at my watch.  Twenty to ten.

Laura’s brow furrowed.  “What’s up?”

“Not sure.”  I looked around, noticed others were migrating toward the exit, punching numbers into their cells.  “How ‘bout I meet you back at our room?”

I took her by the elbow and guided her toward the exit.  As we passed a tray, she drained the last sip of her martini and set the empty glass on it.

“Think it’s something I can’t handle?”  Laura asked.

“Maybe.”

“Gruesome?”

I flashed on the cop’s stony expression as he spoke to Dr. Kebler.  “Probably.”

Laura halted, her wide-set blue eyes boring into mine.  “If I was game enough to join you for a romantic weekend at a coroner’s conference,” she whispered huskily, “I’m game enough for whatever’s in store.”

Gruesome had never been so alluring. 

“Laura,” I murmured, trying not to let her I’m-game look override my better sense, “I don’t doubt you’re strong enough to handle many things, but I’m guessing there’s a body.  A dead one.”

She rolled her eyes.  “I worked at a nursing home the summer after high school.  I’ve seen dead bodies before.”

“Yeah, aging ones succumbing to natural causes.”

“Dead is dead.”

“True, but I’m guessing this is more like ugly dead, something a lady like you shouldn’t see.”  I gave her my best tough-guy-with-a-heart smile.  The kind Tom Cruise wished he could give, and one I wished I felt.

Truth was, I didn’t know if I could handle the reality of what lay out there.  Not the sight of a corpse—I’d seen photographs of dozens over the course of my criminal defense career—but the harrowing reminder of what death demands from the living.

The truth.

I’d failed to seek that that in the Willard case.  

Of course, only a stupid defense attorney actually asks a client for the truth, as in did he or she do the dirty deed.  You don’t want to hear your client say he killed the victim because your role is to fight for your client’s rights, win the best deal, hell if you play it right your client walks away as if he’d never committed the most egregious, heinous act possible to another human being.  I still remembered watching Willard damn near skip down those courthouse steps, flashing a cocky grin that chilled me to my marrow…because at that moment I knew I’d helped free a killer…

I barely felt Laura’s arm as she wove it through mine and steered us toward whatever lay ahead. 


For fans of The Zen Man, this novella provides a more comprehensive background story for Rick and Laura, the characters who have already captured your imagination. For newcomers to Colleen Collins’ mysteries, this is a perfect introduction to the full-length novel.
— Christopher Gill, author